A Blue Christmas Tree

For the past few weeks I've been quite stuck in holiday mode. I can't seem to get to anything that isn't holiday themed. My favorite element of the holidays is the Christmas tree. I suppose that's why many of my designs are related to the tree.
My latest tree design started out in my head as something quite different than the end result. I had it in my mind to create a Christmas tree from leaves, so I went to my PSP program to the leaf picture tube. After choosing the one that best suited the look I wanted, because I wanted it blue instead of green, I used the colorize option to change it.
I then set about "building" a tree by copying and pasting each leaf, one by one, on a new image.




It had a certain something, but I wasn't entirely happy with it; so off to my Corel Painter 4 program it went where I applied the detailed watercolor auto-painting feature.





After creating a snowy landscape in PSP, I copied the tree and added it, but just couldn't make it work somehow. Ultimately deciding it was the lower edge that was not working, I trimmed it then copied and pasted that onto the background. I added a few little twinkly ornaments to the tree and declared it finished. It's now on several different products in my Zazzle store, including this greeting card.

Harlequin Kitty

It's true that I'm a bona fide, dyed-in-the-wool cat lover bordering on crazy cat lady. That's why when a friend suggested the notion of a cat dressed as a jester or harlequin, I couldn't resist the idea. It burned in my brain until the next morning when I broke down and started on it. I knew it was going to be a daunting design and, honestly, I wasn't sure my talents were up to the challenge. At this point I have to confess this kitty was strongly influenced by the wonderfully whimsical cats created by the great and glorious Edward Gorey.


I did a basic outline in my Corel painter program with the thick and thin pencil tool starting with the cat's face. It was love at first sight. After that my infatuation with this smiling kitty drove me on. After the basic sketch was done, I began coloring in with the the tapered gouache brush. I like this brush and use it quite a bit because I find it fills better than some of the others and is easier to control. Anyway, on I went filling in each little diamond on his costume by hand. When the painting was finished, I sent it to my PSP program for the tedious task of cleaning up the edges. I then copied the image and added it to a background I had created using some of the stock Paint Shop patterns. At the end my eyes were red and bleary and my back was aching, but I think he was worth the pain. He's now happily dancing on several products in my Zazzle store.

Thinking out loud

It's no secret to anyone who knows me how much I love my Wacom tablet. Since I got it a few months ago, I've quit using the traditional forms of media almost entirely. This brings me to a couple of questions: Is digital artwork valid as art and will it eventually replace art in conventional media? Because I create all my work digitally lately, I never have a physical finished work - nothing you can hold in your hands. Of course, I can always print it out (or have it printed out), but then is it still an original? One generally thinks of a printed image as just that - a print. Even if it's a one off, it's still a print. Although most of the work I've done lately has been more in the realm of design that's meant to be added to the products in my Zazzle store; I have done a few paintings and drawings that I think could easily stand on their own, but they only exist on my hard drive. How does that impact their relevance? Does it impact their relevance?


At this point, the number of artists that use strictly digital media is probably relatively small, but this is the digital age. I suspect more and more artists will begin turning to digital. After all, who can resist the lure of dozens of different pens, brushes, paints and most any other medium you can think of right there at your fingertips? (Not to mention any color you want without having to blend or deal with the hassle of cleaning brushes.) Will art galleries eventually be filled with artists' work who have never so much as touched a real paintbrush or pencil? Maybe. Maybe not.


All I know is that, either way, I will keep happily using my tablet and hope that my computer doesn't crash.

And people try to tell me I shouldn't take naps...

After not having slept well the night before (as usual), I was having an afternoon nap. At some point I woke up with a design in my head. I had to fight to stay asleep as this image kept popping into my head. When I did wake up finally, I couldn't immediately get to my tablet as I had a few things to do. I had to keep "repeating" this image in my head for fear it would be forgotten and lost forever.
After the various chores were finished, I sat down to create my "dream design". I made three simple leaves using the digital airbrush - one in lime green, one in Barbie pink and one in pumpkin orange. Then, with the thick and thin pencil, I added a curved line to represent the twig from which the leaves were growing and a few quick lines for veining on the leaves. When I woke up with that relentless image in my head there was something at the end of the twig, but I have no idea what it was and it seemed superfluous anyway. This was the resulting design:I added it to several items in my Zazzle store. For all but the cloth products, I turned it 90 degrees and added a tone-on-tone beige striped background.

Now I think it may be time for another nap. Ya never know. ;-)

Another example of inspiration being where you find it.

While my husband and I waited for our entrees to come at a Chinese restaurant the other night, I noticed how pretty and graceful the lotus flowers were on our plates. I took out my phone and, so as to not look completely weird, discreetly took a picture while pretending to be typing a text.





A couple of days later I used one of these flowers as the model for my latest design. I decided on red instead of blue and used the simple watercolor brush in the Corel Painter 4. The resulting image is at left. I only hope I was able to do justice to this beautiful Asian symbol.

The Sketchbook Project: 2011 » Art House Co-op | We build art projects and communities

The Sketchbook Project: 2011 » Art House Co-op | We build art projects and communities

Inspired by a fragrance

We inherited our house from my husband's grandmother. It was built in 1903 and it has been in his family since shortly thereafter. It's not anything too grand, but it's solid as a rock and it's all the house we need. In the back yard of our fine old house is a fine old apple tree. It's either a second or third generation grown from a cutting off predecessors that had to be cut down. The apples are mostly green and a little too tart to eat right from the tree, but fantastic for cooking. Granny always called the apples "Maiden's Blush", named for the slight pink tinge they tend to get on the side that gets the most sun. The tree produces so many that we are never able to use even a fraction of them. All summer long our yard smells of fermenting apples and the bees fly around drunk.
This was the inspiration for my latest painting. In the Painter program, I started out with the broad watercolor brush but wasn't crazy about how it was going, so I switched to the new simple watercolor brush. It worked much better for what I was trying to achieve. It has a nice grainy quality that gave the apple a more realistic texture. To be honest, I reached a point when I wasn't sure it was identifiable as an apple - more like a yellowish-green blob. That's when I added the little stem. I think it helped. I've added the finished yellowish-green blob with a stem to several Zazzle items. :-)